Workshop de Super Collider: software para electronica "live"
Dias 21, 22 e 23 de marco, entre as 15 e as 19 horas, Lucho Enriquez (equador) e Bjorn Erlach (alemanha) estarão no Espaço Artes Múltiplas (junto ao jardim de S. Lázaro) a dar um curso de Super Collider, software para síntese sonora e electrónica "live". O curso conta com uma inscrição simbólica de 25 euros para os três dias. Para mais informações, contactar a Patrícia Caveiro no seguinte número: 916088659.
// Super collider Course contents
Basic structure of each day (4 hours)
Title : Super collider.- "do what you want, by free". The course is focused in creating synths using live performing interfaces (i will bring all the
externals), and composing electronic and instrumental music by algorithms. We
could probably also show(if someone is interested) how to print the algorithm
scores ( for instruments) using lilypond.
Day 1 Tasks
1.- Intro Familiarise with the language
2.- Real Time Synthesis Building first synthesiser
3.- Synthesis techniques Synthesis techniques examples
4.- Samples Synthesis techniques with samples
Day 2
1.- Interfaces Controling synths with gamepads, joysticks, faders
2.- MIDI In, AudioIn Controling synths with instruments
3.- SC GUI interfaces Programming windows for control
4.- Crucial Library Creating instruments and patches
Day 3
1.- Patterns and Events I Making sequences
2.- Patterns and Events II Composing with patterns and writing MIDI
                                         
Files
3.- SC language First programming steps
4.- Writting Classes
and methods Object orientated programming
BIOGRAPHY
Lucho Enriquez (Ecuador 1978)
Guitar player, Composer and Sonologist. His musical background involves classic & contemporary music, electronic music, jazz and rock.
He studied composition with Jose Angel Perez Puentes (Cuba, Ecuador in Conservatory “Gershwin”) and Klarence Barlow(Germany, Holland in Royal Conservatory). His music and He(as performer) has been performed around Ecuador, Cuba, The Netherlands, England and Portugal. Since 2001 he dessigns his own microtonal guitar models. In 2002 he published his book “The system of 18 sounds” which was published in Ecuador and Cuba. Since 2003 is programming and researching at the Sonology Institute in Den Haag. At the moment is developing his own virtual synth programming enviroment for guitar called “guitar collision” .
Björn Erlach (germany)
Music & audio software developer, UNIX hacker and sonologist. Visited the School of Audio Engineering in Cologne from 1996-1997. Studied computer music with Clarence Barlow in Cologne 1998-2003. Since 2003 he is busy with the maintenance of the only Linux machine at the institute of sonology in Den Haag and explores improvised computer
music with the Ladycleaners.
He has programming experience with C/C++, lisp, scheme, tcl/tk and is a strong supporter of opensource software like Puredata, csound,common lisp music and Supercollider.
Os mesmos músicos apresentam o concerto
Lady Cleaners
duo de laptops de Lucho Henriquez (Equador) e Björn Erlach (Alemanha)
____19 Março, 22h: sábado, Rivoli Café-Concerto (entrada livre)
integrado no Space 2005. festival de música experimental e improvisada
// Super collider Course contents
Basic structure of each day (4 hours)
Title : Super collider.- "do what you want, by free". The course is focused in creating synths using live performing interfaces (i will bring all the
externals), and composing electronic and instrumental music by algorithms. We
could probably also show(if someone is interested) how to print the algorithm
scores ( for instruments) using lilypond.
Day 1 Tasks
1.- Intro Familiarise with the language
2.- Real Time Synthesis Building first synthesiser
3.- Synthesis techniques Synthesis techniques examples
4.- Samples Synthesis techniques with samples
Day 2
1.- Interfaces Controling synths with gamepads, joysticks, faders
2.- MIDI In, AudioIn Controling synths with instruments
3.- SC GUI interfaces Programming windows for control
4.- Crucial Library Creating instruments and patches
Day 3
1.- Patterns and Events I Making sequences
2.- Patterns and Events II Composing with patterns and writing MIDI
Files
3.- SC language First programming steps
4.- Writting Classes
and methods Object orientated programming
BIOGRAPHY
Lucho Enriquez (Ecuador 1978)
Guitar player, Composer and Sonologist. His musical background involves classic & contemporary music, electronic music, jazz and rock.
He studied composition with Jose Angel Perez Puentes (Cuba, Ecuador in Conservatory “Gershwin”) and Klarence Barlow(Germany, Holland in Royal Conservatory). His music and He(as performer) has been performed around Ecuador, Cuba, The Netherlands, England and Portugal. Since 2001 he dessigns his own microtonal guitar models. In 2002 he published his book “The system of 18 sounds” which was published in Ecuador and Cuba. Since 2003 is programming and researching at the Sonology Institute in Den Haag. At the moment is developing his own virtual synth programming enviroment for guitar called “guitar collision” .
Björn Erlach (germany)
Music & audio software developer, UNIX hacker and sonologist. Visited the School of Audio Engineering in Cologne from 1996-1997. Studied computer music with Clarence Barlow in Cologne 1998-2003. Since 2003 he is busy with the maintenance of the only Linux machine at the institute of sonology in Den Haag and explores improvised computer
music with the Ladycleaners.
He has programming experience with C/C++, lisp, scheme, tcl/tk and is a strong supporter of opensource software like Puredata, csound,common lisp music and Supercollider.
Os mesmos músicos apresentam o concerto
Lady Cleaners
duo de laptops de Lucho Henriquez (Equador) e Björn Erlach (Alemanha)
____19 Março, 22h: sábado, Rivoli Café-Concerto (entrada livre)
integrado no Space 2005. festival de música experimental e improvisada
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